The Project
SINOPTICON is a long-term project investigating ideas and themes of a contemporary chinoiserie in contemporary art. The 18th century term, ‘chinoiserie’, arose from the mania for Chinese artefacts that erupted in the seventeenth century transforming taste and aesthetics in the West forever. Now China is back, upsurging as a country of major economic and political impact – and with it a new wave of chinoiserie for the twenty-first century. SINOPTICON looks at chinoiserie afresh in the context of contemporary art and incorporates design, display, desire and frippery alongside politics and trade, authorship, interpretation and cultural misunderstanding, fantasy, escapism and fiction. SINOPTICON includes an extensive research and development phase, a symposium, residencies, new commissions and a touring exhibition.
Events
April 27, 2012 - Launch of SINOPTICON, multi-venue exhibition at Plymouth City Museum and Art Gallery, Plymouth College of Art, Plymouth Arts Centre and Saltram House
January 2011 – Eliza curated the Friday Late at the V&A. See the images on V&A Friday Late Flickr page
January/February 2011 – Residency/Workshop at the Chinese Arts Centre: Gayle Chong Kwan and Stephanie Douet
October 2010 – Sinopticon events launched with a symposium at London’s V&A Museum, asking what contemporary chinoiserie means in contemporary art.
You can now download the OVERVIEW of the Symposium – please see the Symposium page
News
Launch of SINOPTICON EXHIBITION
A new multi-sited exhibition featuring the work of 13 international contemporary artists, including new residencies and commissions will open in Plymouth in April 2012.
The exhibition is being produced in partnership with National Trust’s Saltram House, Plymouth Arts Centre, Plymouth City Museum and Art Gallery and Plymouth College of Art Gallery.
